Art Nouveau Japanese 24k Silver Inlaid Damascene Bat and Crescent Moon Necklace Antique Jewelry

Although bats take long been seen as a "scary" symbol of Halloween in the Western world and viewed through a gothic eye, thanks in part to Bram Stoker'due south Dracula (1897), which depicts vampires every bit shape-shifting bats, these creatures of the night are seen as symbols of luck or reincarnation in other cultures (not to mention that scientists view their navigational systems as an evolutionary virtuoso human action).

Bats often stand for death in the sense of letting go of the old, and bringing in the new. They are symbols of transition, of initiation, and the start of a new commencement. In Chinese, the pronunciation of the words for "bat" and "happiness" are both fu. In Japanese, the bat has the same symbol every bit "luck," and so it is the Asian equivalent of the Bluebird of Happiness.

As fascination for oriental motifs spread through the United States and Great Britain during the nineteenth century, bats began actualization ofttimes in Art Nouveau design and were a popular motif in jewelry, created in golden, plique-à-jour enamel, diamonds, rubies and other gems by René Lalique and other designers. Lalique appeared to be so fond of bats that he even busy his showcase at the 1900 Universal Exhibition in Paris with them.

With the influence of Japonisme, Fine art Nouveau bats are more symbols of luck and happiness than spooky creatures, and these 13 pieces of jewelry showcase the mammal in cute class:

This bat brooch has a gray baroque pearl body with extending translucent light blue enamel and single-cut diamond wings and the gold head has cabochon ruby eyes and single-cut diamond ears. This sold at Christie's for $3,055.
Gold, plique-à-jour enamel and diamond bat brooch, Austria, circa 1905.
In 1899, Liane de Pougy, a Folies Bergère vedette and dancer renowned as one of Paris' most beautiful and notorious courtesans, commissioned two bat-themed pieces of jewelry by René Lalique as gifts for Natalie Clifford Barney, an American playwright, poet and novelist who lived as an expatriate in Paris. One was this  opal, diamond and blue enamel ankle bracelet and the other a silver, enamel and moonstone ring, shown below.
Bat ring in silver, gold, enamel, moonstone and diamond by René Lalique, ca 1899, as a gift for Natalie Clifford Barney.
Another chauve-souris (bat) ring by René Lalique, circa 1901, featuring a gold and blue enamel flying bat with an overhead sapphire. This sold for $44,645 at Piasa.
A silver bat brooch featuring plique-à-jour enamel wings accented with four white sapphires and the bat's eyes feature two round cabochon-cut red stones, 4-1/2
This silver and plique-à-Jour enamel bat festoon necklace with seed pearls, circa 1900, was appraised on
A close-up of the festoon necklace.
A rare Art Nouveau Japanese 24k silver-inlaid damascene bat and crescent moon necklace.
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A cultured pearl, diamond, ruby and enamel bat brooch, the body set with a pear-shaped pearl of gray tint, the outstretched wings decorated with pliqué-à jour-enamel, with single-cut diamond detail and ruby eyes; sold at Bonhams for $2,143.
An antique ruby and diamond bat brooch, circa 1900, the wings pavé-set with circular-cut rubies and diamonds, the eyes composed of marquise-shaped diamonds, attributed to André Aucoc; valued between $42,573-$64,400.
An Art Nouveau gold and diamond-set bat brooch and pendant, circa 1900. The brooch is sculpted as a textured gold bat with out-stretched wings and rose-cut diamond eyes and the pendant is designed as a bat with green plique-à-jour out-stretched wings, decorated throughout with circular paste, suspending a similarly-set star and freshwater pearl drop, to the paste-set crescent moon surmount. Sold at Bonhams for $3,671.

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Source: https://www.antiquetrader.com/collectibles/bats-soar-high-in-art-nouveau-jewelry

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